GMMTV has always excelled at light-hearted BL romance—the steam, the melodrama, the occasional high-camp twist—but Me and Thee, the new series starring Pond Naravit and Phuwin Tangsakyuen, feels like the moment the entire company collectively shrugged and said: “You know what? Let’s just have fun.”
And what glorious, hysterical fun it is.
If you’ve followed Pond (Naravit Lertratkosum, ปอนด์ ณราวิชญ์) and Phuwin Tangsakyuen (ไรเซอร์มิวสิค) through Fish Upon the Sky or Never Let Me Go, you already know their pairing is nothing short of GMMTV BL magic. But Me and Thee is the first time a script lets them lean fully into their comedic instincts—and the result is one of the most entertaining BL premieres the studio has delivered all year.
The plot, as wild as it sounds, is rooted in classic rom-com structure but wrapped in that signature GMMTV sparkle and unapologetic meta humor (very reminiscent of Fish Upon the Sky at its most playful).
Thee (Pond) is the son of a former mafia boss turned luxury-brand tycoon, who has spent so much of his life watching lakorns that he genuinely has no idea how real flirting, boundaries, or basic social interaction works. He lives in a world where love confessions must be sweeping, dramatic, and accompanied by swelling orchestral music.
Peach (Phuwin) is a struggling freelance photographer hired to “train” Thee to behave like a normal human being. His mission? Teach this over-the-top rich kid how to date without theatrics, delusion, or accidentally buying an entire café just because he liked the coffee.
It’s a ridiculous premise—and the show knows it and that self-awareness is exactly what makes it so fun.
Instead of leaning into heavy mafia tropes or angst-filled romance (à la Not Me), Me and Thee becomes a satire of lakorn melodrama and a celebration of comedy rooted in two characters learning each other’s rhythms, boundaries, and vulnerabilities.
And Pond?
He has never been funnier.
He throws himself into Thee’s over-dramatic antics with such gleeful abandon that it’s impossible not to laugh. He struts through scenes with the sincerity of a man convinced he’s living inside a prime-time soap opera. His comedic timing—especially the way he overplays the tiniest emotional beats or seeks Peach’s advice like his life depends on it—is pitch-perfect.
Phuwin, meanwhile, is the ideal counterbalance: grounded, exasperated, warm, and effortlessly charming. Peach’s reactions—confusion, disbelief, reluctant softening—are comedy gold on their own. But paired with Pond’s chaos, the two become unstoppable.
Whether it’s Thee misunderstanding basic human behavior, Peach teaching him how to text like a normal person, or the hilariously unnecessary displays of wealth (again: he buys a café on impulse), the show moves with a rhythm that leans into farce without ever feeling shallow.
But importantly, it’s not just jokes.
Beneath the comedy sits a genuinely sweet emotional arc.
Thee wants to grow.
Peach wants stability.
And the series becomes about two people learning to communicate, to trust, and to meet each other halfway. The laughter never overshadows the heart—it amplifies it.
Me and Thee isn’t trying to be a prestige drama. It isn’t chasing psychological complexity or heartbreak. Instead, it’s doing something rarer:
It’s letting two talented actors be incredibly funny while still delivering an emotionally satisfying love story.
The chemistry sparkles.
The romance blooms gently—sweet but never sluggish—creating a tone that’s light, refreshing, and wonderfully rewatchable.If you’re searching for a BL drama that will make you laugh, swoon, and leave you smiling long after each episode ends, Me and Thee is absolutely your next obsession.
Life In Cartoon Motion 