First, let me make this perfectly clear. Taylor Swift is a grown-ass human being and is writing from the perspective of a grown-ass human being. Second, she is an artist, not a babysitter. Her job is to tell stories, not raise the children of people she’s never met. Third, if you have lived your life in such a way that you are afraid of a woman who speaks her own truth – that’s on you – not her fault. Lastly, and probably most importantly, if you believe she is some sort of demon sent to corrupt the souls of earth, preventing them from entering the kingdom of Heaven, get over yourself. You’ve misunderstood the point (of both music and the book you’re using for condemnation).

Released on 19 April, the same day I arrived in Tokyo, The Tortured Poets Department was one thing I knew I wanted to get to commemorate my first international adventure. As luck would have it, they promoted a special Japan-exclusive limited deluxe edition. The edition, housed in a 7-inch cardboard sleeve, included four postcards, a disc on a circular cardboard insert (mimicking a 45rpm record), English liner notes, and a folded poster. There is also a Japanese insert of the liner notes. It also came with a commemorative keychain.

The album includes all 16 tracks of the standard US edition as well as the bonus track, ‘The Manuscript ‘. A masterpiece crafted in synth-wave, Swift’s eleventh album is arguably her most exceptional work yet. From start to finish, there isn’t a single song that could be considered skippable. 

“But Daddy I Love Him” is especially poignant, especially given the sanctimonious so-called God-loving ‘Christians’ who have been attacking her for her choice in clothes, lovers, and lyrics. The song is a big “FU,” and it’s brilliant. As a title track, “The Tortured Poets Department” stands out; it’s incredibly well written. Again, the album is exceptional from start to finish, but there are a few other standout tracks. “I Can Fix Him (I Really Can)” and “The Alchemy” are some of my favorites. When I reached the Japanese bonus track, “The Manuscript” was another favorite. Sweeping and sweet, it’s an incredibly beautiful track. 

Swift’s mastery of her craft is undeniable. The album has garnered the largest pre-order in history, shattering records at every turn. A staggering 31 songs debuted on the Billboard Hot 100, with Swift dominating the ENTIRE top 14 spots. 1-14. Taylor Swift. This unprecedented feat in Billboard history is a testament to her talent and hard work. She truly deserves this success. 

More music reviews soon so…

Stay Tuned!